
This is a “hollow” sound that slowly shifts and has vocal qualities similar to a talkbox and tape-flange effects from the late 60’s. This is a great all-purpose setting for slow or fast playing, chords or single notes. Also, try putting the MANUAL knob on “7” for a more radical sound.

I love 70’s guitar sounds, and this is one of my favorites. This setting simulates two guitars doubling each other, for a lush, shimmering effect. Strum a big E chord and listen closely when you adjust the MANUAL and SPEED knobs on this setting. Dial them in to your own taste, and enjoy the shimmering tones.


The TAXI mode is meant for traditional flange sounds, but that doesn’t mean it can’t go crazy too! Try this setting, and also try toggling back and forth between this and the TAKEOFF mode. Beware, if anyone else is nearby, you will quickly drive them nuts. I know!


This produces a metallic, robotic overtone. This is a great way to get a cool, vintage sound, yet be futuristic at the same time.


This is a traditional flange effect, but cranked up into the radical zone. I recommend this for slow guitar parts and/or clean guitar tones. Try slowly picking and sustaining some clean chords and enjoy the wild swirling sound. Great for song endings, too.


Wah wah pedals usually have a "sweet spot", where soloing seems to get easier and the tone cuts through the mix more. I’ve never heard a flanger do this kind of effect before. But the Airplane Flanger does it! Try turning the MANUAL knob down to “8” for a different frequency.


Sometimes you just need to zap someone with a laser pistol. With this setting, you’ve got the perfect sound for it.


This is a slowly shifting flange/phase effect. I like to use it on muted power chords and staccato rhythms. It reminds me of some early 80’s guitar sounds.


I believe that you can improve any song with a good, loud police siren. Now you can test the theory. You can also scare away anyone who is trying to break into your house.


This is a variation of the Shimmering Flange sound. The “shimmer” is a little slower, and it has great definition with chords, even with a distorted sound. Great for single notes and fast playing, too.
